Ana Ng

From This Might Be A Wiki
YouTube
Official video
Screenshot
Screenshot
1988 handbill advert
Pogo comic strip, Aug. 9, 1953: Churchy La Femme shoots a hole in a desktop globe

song name Ana Ng
artist They Might Be Giants
releases Lincoln, Ana Ng (Single), Then: The Earlier Years, Selections From Then, Direct From Brooklyn, Best Of The Early Years, Dial-A-Song: 20 Years Of They Might Be Giants, A User's Guide To They Might Be Giants: Melody, Fidelity, Quantity, 50,000,000 They Might Be Giants Songs Can't Be Wrong, Modern
year 1988
first played September 28, 1988 (866 known performances)
run time 3:23
sung by John Linnell; Lisa Klapp recites the final line of the bridge


Trivia/Info

I think I was collecting possible song ideas and, for some reason, I ended up looking in the phone book, and there were about four pages of this name that contains no vowels, Ng. I was fascinated because it's a name I didn't know about before, and it was filling up a large chunk of the Manhattan white pages. I called up some of the numbers kind of experimentally to find out how it was pronounced, and I got the phone machine of a Dr. Ng and I was kind of relieved. The message said, "Dr. Ng is not in," and I had my material.
The other inspiration for ["Ana Ng"] was a Pogo comic strip. [...] Some of the characters are digging a hole. They decide they're going to dig to China, but one of the smarter characters [Churchy La Femme] pulls this huge revolver out of a drawer and shoots a hole "in the desktop globe." Then they look at the other side and the hole is in the Indian Ocean.
The name Ng seems to be a Vietnamese name... So if you look at the globe and you find Vietnam, you'll see that the opposite side of the world from Vietnam is Peru. So the song, presumably, is about someone in Peru, writing about somebody in Vietnam. But I didn't know that when I wrote it.
  • The guitar sounds heard in this song were created using a noise-gate effect controlled by producer Bill Krauss' Apple Macintosh 512k computer,[2] which was used to track and mix the Lincoln album.[3] The idea for the effect came from Linnell, who would explain the story behind it in 2023 for Everything Sticks Like A Broken Record, a track-by-track breakdown of the Lincoln album featured in Bandbox Issue #103:
My notion was that we would use a noise gate that was controlled by the computer to turn John [Flansburgh]'s guitar on and off in the rhythm track that starts the song. It was kind of an abstract idea, but I thought, "This is this jerky rhythm, but it'd be cool if it was really robotic." The noise gate is an audio device that can turn on and off an audio signal. It's either controlled by the volume of the signal that's coming in, or it can be controlled by something else. In this case, we just plugged the computer into it and had the computer do the on-and-off part.
Now, I was not very good at explaining this to John, unfortunately. We were sitting in a car in New Jersey, outside of a club where we were supposed to play, and I was telling him what I wanted to do and he thought that I was trying to say that he wasn't able to play the rhythm accurately or something like that. We got into a terrible argument about it, and it didn't get resolved until we finally went into the studio and actually tried it. Everybody loved the arrangement I was talking about right away. John was playing the guitar and then the computer was opening and closing the circuit. Because we were using a computer that was synchronized to the tape, we could record multiple guitars doing that and it seemed like this purely experimental, fun thing.
  • The noise gate effect has also been used on "Mr. Me",[4] "Welcome To The Jungle",[5] and "Canajoharie",[6], and when asked in a 1997 interview with the Tartan what "the coolest sound [he'd] ever created" was, Flansburgh answered with this song. He would also describe the setup for the effect on Tumblr in 2011: "The noise gate is basically a full 'volume off' switch on the guitar's sound, and it is synced to trigger at double the tempo of the track to cut the sound for the second half of the note."[7]
  • In an old tmbg.com Q&A, Linnell stated that the line "I don't want the world, I just want your half" "came out of a conversation we once had about money."
  • In the Dial-A-Song demo, this line was said by Linnell, but in the final album recording, this line is said by Lisa Klapp, a friend of the Johns. The line was delivered from her phone at work and recorded through engineer Al Houghton's answering machine at Dubway Studio.[8] Linnell and Flansburgh would reminisce on having Klapp read the line in a 2025 interview with the A.V. Club:
JL: That was Flansburgh['s idea]. We were in [Dubway Studio] in New York, and this is often the way it works, [as was] the case with "Puppet Head" and this song. We leave a little area like, "This is the sort of bridge moment," and we had no idea what it was going to be. It was just "Music, music, song, music" and then something else. And that phrase was sort of a jokey phrase that we'd been tossing back and forth. So very spontaneously we called up our pal, Lisa Klapp, who…

JF: She was at work!
JL: I think she [said], "Alright, if you guys leave me alone, I'll do it."
JF: Yeah, I think she was being quiet because she didn't want people to notice what she was doing. It perfectly works in the song; I don't know what kind of performance we were trying to elicit from her other than that performance, but I think we made her say the statement ten different times. But it was great.

  • In live performances, the band has been known to alter the bridge in several ways:
  • On Live!! New York City, Linnell sings no words and imitates the sound of radio static. The same recording was used for Severe Tire Damage, but for that album, the radio static was replaced with the sound of Flansburgh screaming the original line into his guitar pickups with a Mid-Atlantic accent.
  • Linnell sometimes sings "It's a small girl after all" during the bridge.
  • In 1996, Linnell would occasionally open the song with the chant of "OVERSIZED LOAD," and this line would, in the bridge, replace "I don't want the world; I just want your half."
  • Flansburgh has often been known to sing the aforementioned line in a falsetto with a melody similar to "Love people are there / The smell of love is everywhere" from "I've Got A Match."
  • The video was directed by Adam Bernstein and the exterior shots were filmed at the FDNY Training Academy, Randall's Island, New York City. Throughout the music video, portraits of John Flansburgh's grandfather and Linnell's great grandfather can be spotted. The video also includes a shot of cards from "Touring", a card game dating back to 1906 that was popular in the United States during the early 1960s. (For more information on the making of the video, see Myke Weiskopf Interviews Adam Bernstein).
  • Flansburgh on the moves seen in the music video:[9]
We would figure out some simple moves the day before, and sometime in the down moments before the shots. It was a way to do something that looked organized and graphic. It was also specifically not lip syncing which was the crushing cliche of that moment.
  • One of the shots included in the music video was of two girls holding up the pictures of Brigadier General Ralph Hospital and Lewis T. Linnell from the shrine featured in Lincoln's cover artwork. John and John would explain who these girls were in a 1988 interview for Rockpool magazine:
[They are] six years old [and] identical twins, it happens that they're big Giants' fans, they know all the words to all the songs. We met them a year ago when they were five, they would come to our soundcheck and sing along, and we would forget the words and they would remind us how they went.
  • The line "eighty dolls yelling 'Small Girl After All'" is a reference to the ride "It's A Small World", created for the 1964 World's Fair and now residing at several Disney theme parks.
  • The line "water spirals the wrong way out the sink" alludes to the mistaken belief that water going down a sink rotates counter-clockwise in the northern hemisphere and clockwise in the southern hemisphere due to the Coriolis effect.
  • Linnell sometimes sings "human hair" instead of "humid air" when the song is played live.
  • "Ana Ng" has appeared or been referenced in various other media:

Song Themes

1964 World's Fair, Age, Aversion To Work, Backwards, Bad English, Cities, Everything, Fading, Geography, Hair, In Back, Loneliness, Love, New York City, Non-John Vocals, Numbers, Oblique Cliches Or Idiom, Onomatopoeia, Oxymorons, Paradoxes, And Contradictory Statements, People (Imaginary), Places (Real), Presidents, Questions, Real Estate, Recursion, References To Other Songs Or Musicians, Screaming, Self-Reference, The Senses, Size, Spoken Word, Telecommunication, Temperature, This Town, Trade Names, Transportation, TV And Movie Themes, Upside-Down, Water, Weapons, Weather, Writing

Videos

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  • Watch it on Youtube.png - 2019 "best quality" video
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Current Rating

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Ana Ng is currently ranked #2 out of 1059. (677 wikians have given it an average rating of 9.45)