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Studio album by They Might Be Giants | |||||
| First released | September 13, 1994 | Tracks | 20 | Previous album | Apollo 18 | |
| Label | Elektra/Asylum | Length | 57:06 | Next album | Factory Showroom | |
John Henry was They Might Be Giants' fifth studio album, which was released on Elektra.
Contents |
| Seller | Format | Price | Purchase! |
| CD | $9.98! |
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| MP3 | $9.97 |
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| AAC | $9.99 |
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| CD | $14.00 |
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Feeling that John and John had taken the band as far as it could go with reel-to-reel tape recordings and drum machines, Susan Drew of the band's label Elektra persuaded them to recruit a live band for their stage shows. For their first live band, Brian Doherty joined them on drums, Kurt Hoffman on keyboard and Tony Maimone and Graham Maby on bass.
John Henry would be the band's first studio album recorded with this new backing band, and as a result, the sound was quite different from previous albums. Many of the tracks were more guitar-heavy, and the band also utilized live horns on several tracks, creating a harder-rocking feel and allowing them to better mold the moods of the songs.
Some longtime fans of the band became upset by the changes and even went so far as to stage boycotts of the band's live shows.
Like Factory Showroom, a bootlegged demo tape of eight tracks from the album's studio sessions got leaked. These demos existed in cassette quality until TMBG released Podcast 27A in 2007, which included high-fidelity versions of seven of the tracks.
Sales and performance of the album were somewhat of a paradox. Whereas John Henry peaked at #64 on the Billboard 200, and remains the band's highest placement on that chart ever, it only spent four weeks on the chart (the lowest at the time, since the Pink Album, which didn't chart at all).
Snail Shell had a successful run on the Billboard Hot Modern Rock Tracks chart, peaking at #19, and spending 8 weeks overall on the chart. In addition, AKA Driver was released as a promotional single, but didn't manage to chart.
"John Henry is a legendary black railroad worker from the middle of the nineteenth century. He figures in a number of American folk songs, including one simply called "John Henry." The story describes a competition between John Henry, the strongest human, and a new machine built to smash rocks. They compete to break through a mountain. The machine breaks down in the tunnel, while John Henry comes out the other side, only to die from exhaustion. Since this was the first album where we worked with a live band instead of a drum machine it seemed an apt title."
"What does the skull mean on "Back To Skull" and "John Henry"?
We generally prefer not to decide what things like that mean. The skull was chosen as an element on the cover art partly to offset the adorable cuteness of the kids. The effect of the whole thing seemed right, for reasons hard to put into words."
Half are friends' kids, and the other half are professional model kids we cast for the shoot.